月亮上的洞
已完结yueliangshangdedong
评分
评分 9.0
年份
1964
地区
以色列
类型
剧情
导演:
Uri,Zohar
主演:
Arik,Lavie,Shaike,Ophir,Avraham,Heffner
简介:
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.
Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.
The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
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《月亮上的洞》金牌视听档案 & 核心解析域
视频源格式
WEB-DL 2160p
音频解码
Dolby Digital 5.1
内嵌字幕
中文 / ENG (内封)
传输协议
HLS 高速直连
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核心叙事逻辑与高能内存警告
系统日志追溯至 1964 年,《月亮上的洞》以摧枯拉朽的速度席卷了整个 剧情片 频段。这批来自 以色列 的珍贵影像母带,精妙融合了 剧情 模块。主控台解析核心提要如下:A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique o...
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在深网找了很久的源,终于在【金牌影院】成功解析了《月亮上的洞》!直连速度极快,没有任何恶意菠菜广告,绝对的神仙节点!
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剧情的反转完全超越预期。特别是 Arik 在结局的高能爆发,配合金牌影院的1080P硬解通道,暗部细节一清二楚,移动端接驳也十分丝滑。
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最初看只有 9.0 的算力评级差点错过。硬抗过前十分钟铺垫后直接高潮,这绝对是 1964 年剧本最完美的佳作之一。
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